High Places Room 205 Exit Interview
At the close of our Room 205 shoot with High Places’ Rob Barber and Mary Pearson they were kind enough to stand around in the rain for a short interview. Herein you’ll learn about the creative process that went into making the band’s latest album High Places vs. Mankind (Thrill Jockey), as well as gain insight into Rob’s undying love for east coast hardcore.
THIS Visits: Clyde Kusatsu
Credited in over 220 film titles, Clyde Kusatsu is one of the hardest working actors in Hollywood. After collaborating with nearly every major Hollywood A-lister, he still remains humbled and charming. THIS Visits sat with Kusatsu in his Los Angeles home to talk about the craft of acting, modern American history, the biz and his meeting with a sitting President. The man is a workhorse and true gentleman.
Enjoy a glimpse into the life of Clyde Kusatsu, one of the most recognizable faces in television and film.
Q&A with Aaron Rose
We sat down with Aaron Rose to ask him a few questions about the making of his short film Kreuzberg which was shot entirely on an iPhone 4. Here’s what he had to say.
When filming Kreuzberg, you told us that you used a tripod. How did you alter the tripod to meet your needs?
I actually didn’t have to alter the tripod at all. The big problem was how to attach an iPhone to an existing tripod.
What materials did you use?
I rigged a contraption using a basic steel “T” bracket from the hardware store and attached it to the tripod using a simple wing nut. It was a pretty DIY setup, but worked well for my needs (lock shots, simple pans, etc.).
How did you attach the iPhone 4 Slider Case to your tripod?
I attached the “T” bracket to the iPhone case by punching holes in it and using nylon plugs to keep it in place.
What was your experience like filming and shooting photos with your iPhone 4?
It was actually quite fun. My biggest problem was holding the camera steady when shooting hand-held. Other than that, it worked great. A zoom mechanism would have been handy, but I quickly got around it.
Do you feel that iPhone 4 will spark an increase in DIY filmmaking? If so, how?
I would hope so. Again, I don’t really think a camera makes a good film. The person looking through it has to have good ideas. That said though, being able to just pull an iPhone camera out of your pocket with a few seconds notice was a really nice plus. A lot of my favorite shots in Kreuzberg were taken that way. I would see something and within seconds be shooting. That’s hard to do with even the simplest SLR or video camera.
What kinds of projects would you like to see other people create using iPhone 4?
The phone/camera hybrid offers an amazing intimacy when shooting. Subjects aren’t intimidated by a camera on a phone. It somehow seems less serious. This is really helpful in getting subjects to relax. I would hope that people would continue to explore this intimacy and make very personal films on the iPhone 4 that couldn’t be obtained any other way.
And now, a few questions for you…
- Do you find that you take more photos and videos with your iPhone 4 than with your camera?
- How has the iPhone 4 changed the way you make and edit video?
- Has there ever been an unexpected situation when your iPhone 4 came in handy?
Leave us a comment with your answers. If you leave one of our favorite comments, we’ll send you an iPhone 4 case.
Abe Vigoda Closes Out Room 205 Appearances
We couldn’t have picked a better band to launch Room 205 with, and after two excellent performances by Abe Vigoda, the Chino boys bid us farewell with today’s release of “Dream of My Love (Chasing After You)” from their latest album, Crush.
After three stellar performances, the guys took some time to tell us a little bit more about the evolution of their sound and the influences behind it. Be sure to check out the interview.
Special thanks to Abe Vigoda, director Michael Reich, audio engineer Butchy Fuego and the entire production team for their work on our first series of Room 205 performances.
Room 205 will be back next month with a new band and more great music for your enjoyment.
Two Paul Rodriguez Interviews
FKD bearings posted a short interview with Paul where he talks about “Mini Paul’s”. (via The Skateboard Mag)
Paul also has an interview in The Hundreds Magazine Issue 2.
The Process Behind the Perforation
Our friends at NOTCOT recently posted a feature about the design and development of our new Perforated Snap Case, so we thought we’d share the expanded version of the conversation with Joe (Chief Design Officer) and Markus (Vice President of Design) here. Visit NOTCOT to enter their giveaway of our Perforated Snap Cases, but don’t wait too long–they’re picking a winner on Friday, December 11.
What inspired you to create a perforated iPhone case?
The Snap Case (non-perforated) form factor is our lightest, most minimal case in our iPhone case product lineup. The inspiration for perforation stemmed from the idea to further minimize the case by reducing weight without taking away the functional aspect of it being a protective solution.
The first idea that came to mind was using a simple, geometric pattern. From there, we started exploring how to perforate our Snap Case with different shapes, scales and pattern densities, pushing the limits of what is possible to manufacture.
Describe the design and development process for the Perforated Snap Case.
At the start of any product development process, we begin with a team brainstorm session to generate as many ideas as possible. From there we narrow it down to the most promising concepts and refine them with sketching and rendering. Once an idea is committed to, the design team builds a 3D CAD model, which serves as a database to create Stereolithography models, a prototyping process that enables us to print a desired shape in 3D.
Next, we test the prototypes and further refine the geometry. A final design is then agreed upon and we analyze and study its geometry to determine manufacturing feasibility. Once a product passes this stage, the tooling process can commence.
To start the tooling process, we begin with large blocks of steel and machine out the negative shape of our case to make a hollow form that is later injected with polycarbonate material. Because of the all-over perforated design of the Perforated Snap Case, the tooling process is very intricate and takes a relatively long period of time to accomplish. Individual steel pins with varying degrees of curvature for each hole are needed to create the perforated design.
Once the tool is cut, it is then textured and finished. Following this stage of tooling, we shoot the first test shots in plastic, which help us to further debug and finalize the tool as well as the injection settings to create the perfect molded part for the production run.
What types of engineering challenges did the Perforated Snap Case pose?
Injection molding makes it relatively easy to perforate a pattern in one direction, but for the Perforated Snap Case, we were challenged with wrapping a pattern evenly onto a surface that contains multiple directions and very thin wall sections. Our goal was to keep the perforated pattern aligned regardless of the angle from which it is viewed. Because of the curves of the case, it became rather challenging to determine the best way to mold it.
Our product development process is one of continual refinement—we go through many prototypes and trials in order to find the one that will work best for manufacturing.
Please describe the intricacies of the tool and the mold injection.
For the injection molding process, we use hardened steel tools that are the negative (or hollow) form of our case. These are necessary for the mold injection of plastic that creates the positive case form.
Thin steel pins within the tool create the intricate perforated pattern of the case. When in production, injection-molded plastic flows under high pressure and temperature in between the pins. The challenge is to find the perfect balance—the pins cannot be too small, since that would cause them to break under high pressure; and the spacing cannot be too dense, as material needs to flow through the mold easily and evenly.
Since the perforated pattern runs throughout the case, multiple complicated tool actions are required to achieve a consistent pattern.
How many holes are in the case?
Nearly 1000.
Are there benefits to using this case over another iPhone case? How does it differ from other cases on the market?
Our Snap Case is our most minimal case and provides just the slightest elevation around the bezel, which allows the iPhone widescreen to be raised above a surface while it lies on its front face. The design of the Perforated Snap Case gives a unique surface texture, resulting in a better grip because of the pattern. And of course, its perforated design adds visual interest as well.
Five Questions with Mike O’Meally and Felipe Lima
Mike O’Meally and Felipe Lima are responsible for the Paul Rodriguez visuals. Mike is a respected photographer and has shot some of our favorite skateboard photos, and Felipe is an up-and-coming filmmaker and has produced all our Curated by Arkitip videos.
I recently sat down with both and asked them 5 questions about the project…
Mike O’Meally
1. What equipment did you use for this shoot?
I used two Nikon F5’s – film cameras, in case anyone forgot!
2. Have you shot with P-Rod before and what impressed you the most about P-Rod?
I have shot with Paul before on some Nike tours and also when he used to ride for City Stars back in the day. I think one thing that really made an impression on me is how calm he is, and also his speaking skills while doing interviews. He is one of the most eloquent young skaters I have heard.
3. How were you able to shoot during the TSA bag check?
Just by good old fashioned jedi mind tricks! I think a lot of it was luck, but presenting yourself in a way that you don’t seem sketchy is a big help too
4. Which shot turned out the best?
I don’t think I could say one particular shot, but there are some of him stretching in the back hall before the Dew Contest that I particularly liked, as well as some of the photos of him checking in curbside at LAX.
5. What project are you working on next?
Just focusing on some editorials for TWS Skateboarding and possible a project with the artist Phil Frost.
Felipe Lima
1. What equipment did you use for this shoot?
Sony HDR-FX1, Canon PowerShot TX1, iPhone (1st Gen) + Sonoma Wire Works FourTrack App, Audio-Technica AT835b Shotgun Microphone and Modified Cables.
2. Have you shot with P-Rod before and what impressed you the most about P-Rod?
Never shot Paul before – his zen is unbreakable! Airport security, endless interviews, dirty diapers… nothing shakes his focus or smile.
3. How were you able to shoot during the TSA bag check?
Small camera, selective deafness, and lots of charm ; )
4. Which shot turned out the best?
1:08. The shot’s super short in the edit, but you can see the family resemblance in their faces and demeanors.
5. What project are you working on next?
Music video for The Soft Pack.
Hypebeast Interviews Paul
Hypebeast did a cool little interview with Paul. They discuss his new shop, his signature collection and other future collabos.
Interview with Damon Way
Transworld Business conducted an interview with Damon Way, our Chief Brand Officer.
And make sure to subscribe to Damon’s Intelligence Report on the Arkitip site, because you never know what you might see…
