Warhol Portfolio

The Warhol Portfolio converts into a full iPad workstation so you're ready for anything, no matter where you are, or where you're going. The soft cotton twill lining and suede divider protect your iPad 3rd gen against bumps and scratches while the organizer pockets keep essential documents more close at hand.

You can use the portfolio opened up flat, prop up your iPad for more comfortable typing, or adjust to an even higher angle for easy screen viewing.

• Exclusive Andy Warhol artwork
• Converts into workstation with iPad viewing and working angles
• Durable coated canvas construction
• Soft cotton twill lining
• Internal divider protects screen
• Secure snap-in iPad attachment
• Three slip pockets for documents and more
• Heavy-duty YKK zippers
• Custom overmolded zipper pulls with Warhol and Incase logos

During the 1960s Andy Warhol focused more on making films, claiming that he was now painting simply to fund his movies. His style of films, including the controversial 1966 Chelsea Girls, often resemble a raw prototype of today’s reality television, an amalgam of semi-scripted and unscripted scenes complete with crude sound and camerawork. Warhol claimed he was “just photographing what happens” to document the moment.

However with Chelsea Girls, Warhol delivered “reality” through his own unique vision. The unblinking display of sex and drugs drove the film’s notoriety, but stylistically the film is a kinetic revelation that evolves from black and white to full color, with fragmented scenes depicted on a split screen. As he plainly stated, “I put two things on the screen in Chelsea Girls so you could look at one picture if you were bored with the other.”